Gulf Distortion XII 2011 color screenprint with interference pigments on mylar overall 57.15 × 82.55 cm (22 1/2 × 32 1/2 in.) Here is the link to the work. |
Saturday, January 28, 2017
Soledad's Gulf Distortion XII is a part of the collection at National Gallery of Art in Washington DC
Friday, January 27, 2017
Internship Experience
I'm loving my internship with Soledad at Sol Print Studios. I get to practice and perfect my process as I assist contemporary artists in 4-day workshops. What's more, Sol's innovative approach to print inspires and informs my own practice. I've learned a lot during my time here - solar etching, sewing, incorporating alternative materials and transparency into my works, etc. Also, Intern artists are treated really well here - rides to the printshop and back are always offered, and healthy, delicious lunches are common occurrences. This is an internship like no other.
Danqi Cai, Fall2016
Danqi is a printmaking BFA candidate
at the Maryland Institute College of Art,
graduating in May 2019.
Danqi's solar etching and monotype print while interning at Sol Print Studios |
Maggie Walton, Summer 2016
Senior art major with an emphasis in graphic design
at the University of Georgia,Graduating in the Fall of 2017.
at the University of Georgia,Graduating in the Fall of 2017.
Saturday, January 21, 2017
INK IT: Contemporary Print Practices
Randi Reiss-McCormack "Paper Boy" 27" x 35" Solarplate etching with chine colle on paper, 2016 |
The works will be on view in the Kay Gallery at BlackRock Center for the Arts
Location: 12901 Town Commons Drive, Germantown, MD 20874
Date: Saturday, February 11 – Saturday, March 11, 2017
Danqi Cai "My Badge Says I Can Do No Wrong. My Badge Says I Can Do No Wrong? My Badge Says I Can Do No Wrong" 10" x 10" Inkjet print and woodcut, 2016 Description: This project shows how categories of persons (in this case, authorities) are performative and need to be repeated so as to establish themselves. Each time the category is repeated, there's a chance that it could be disrupted. The two rows of prints show the repetition and the disruption |
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